Donors and Sponsors of the 2000 Virginia Film Festival
| Guests and Programs | Films


2000 Wrapup Report


The 13th Annual Virginia Film Festival, Animal Attractions, was a smash hit. A total of 10,015 viewers attended Festival programs, and ticket revenues exceeded last year's figures by over 40%. News of this year's festival blanketed the community and country like never before, thanks to the wide distribution of wire stories on Anthony Hopkins' award and enthusiastic and extensive regional media coverage. The Festival's idiosyncratic exploration of the theme of animals in cinema (focusing on human-animal hybrids, with a special emphasis on "cartoon critters") inspired many rich discussions. These prompted critic Peter Brunette, in his Film.Com coverage, to marvel "that the audiences for (Virginia Film Festival) films are the most intelligent I've seen at any festival, bar none, and the post-screening Q&A sessions often last longer than the films they're about."

Three Memorable Nights
The Festival was highlighted by three extraordinary screenings at Culbreth Theatre that were among the most memorable in Festival history. The opening night presentation was a double feature of Nosferatu and Shadow of the Vampire, with Silent Orchestra performing its majestic score for Nosferatu. Both the night's standing ovation and the acclaim registered in audience surveys expressed great appreciation for the revelatory effect of juxtaposing the two films and adding a contemporary score. The following night, the excitement at Culbreth continued with the premiere presentation of Barry Levinson's An Everlasting Piece. Producer Mark Johnson and screenwriter/lead actor Barry McEvoy drew two standing ovations. McEvoy, whose refreshing account of his good fortune in getting the film made delighted the crowd, was taken aback by the response and snapped a picture of the ovation as a souvenir. Finally, Culbreth's closing night event provided the greatest epiphany of all with a fascinating interview between Roger Ebert and Anthony Hopkins preceding the screening of Titus. Hopkins, who had addressed Drama students earlier that day in a Helms Theater dialogue with Drama chair Bob Chapel, was inspiring and mesmerizing as he jumped to his feet to answer audience questions and re-enact his Hannibal Lecter and Nixon roles.

Indie Premieres
The Festival's independent film premieres at Regal and Vinegar Hill also met with a strong response, particularly the sell-out screenings of Mark Lewis' The Natural History of the Chicken and Dorjkhandyn Turmunkh's State of Dogs. The Mongolian-born New Yorker Turmunkh was gratified by the quality of the post-screening discussion and by the reaction of local critics to his work. The audience's delight with Mark Lewis' films, both at Regal and at his special presentation of Rat in Scottsville's Victory Hall Theater (the Festival's first journey to this neighboring town), was reported to have prompted him to start searching for local real estate. Kathy High's Animal Attraction, completed just moments before this festival of the nearly same name began, thrilled its audience, who were then treated to an unforgettable post-film encounter with the film's subject, animal communicator Dawn Hayman. John Hancock's A Piece of Eden also drew an appreciative response and a moving discussion with Hancock and star Rebecca Harrell.

Alumni Participants
The Festival was privileged again to have the support of U.Va. alumni who return yearly and contribute great energy and imagination to the Festival's organization. Mark Johnson not only provided An Everlasting Piece; he convinced Shanghai Noon director Tom Dey to join him and deliver a memorable directing workshop for film students. Stan Winston returned for the second year, this time to pass the baton as 1999 Virginia Film Award recipient to 2000 awardee Anthony Hopkins and to participate in two other Festival programs. Catherine Olim, the PMK publicist who accompanied Sigourney Weaver last year, returned again to her alma mater, this time as a new Festival board member, with her client Anthony Hopkins. Johnson, Olim and Winston were joined by a U.Va. alumnus who was a first-time Festival guest, screenwriter Sam Hamm. Hamm got enormous media coverage and everything but the key to the city from local residents, many of whom were either former classmates or professors who turned out to greet him or, in one case, a grade school teacher who actually handed him one of his third-grade compositions.

   

Art Events
One extraordinary aspect of this year's Film Festival was its visual art emphasis. William Wegman not only presented his pioneering video art to a sell-out crowd at Regal; he also remained in Charlottesville an extra day to deliver the Gladys Blizzard Lecture on his photography. The lecture was sponsored by the Bayly Art Museum, which had three large Wegman photos prominently displayed in a gallery devoted to animal art. Also at the Bayly was a display of Carolee Schneemann's Infinity Kisses II, Schneemann's memorial to her late cat and artistic collaborator, Vesper. Schneemann's memorial to her other cat, Kitch, the dual projector performance Kitch's Last Meal, was marked by technical and emotional difficulties; sadly and eerily, Schneemann lost her third cat collaborator, Treasure, in an accident the night before her arrival in Charlottesville. Finally, artist Sam Easterson complemented his video presentation at Vinegar Hill with a striking installation, Animal, Vegetable, Video: Arachnida, in the Frank Ix Building. His installation was joined by scores of other artworks by students and faculty in the U.Va. Art Department and by Charlottesville artist Beatrix Ost. The enormous exhibition at the Ix Building was an astonishing display of talent and a sensory delight for all who were lucky enough to witness it.

Kids' Attractions
Another unique and much-appreciated dimension of this year's Festival was its emphasis on children's programs. Highlights among these included the Wild Life program of student videos presented by Monticello High School students, along with hands-on video demonstrations for kids, in the Virginia Discovery Museum. The popular screening of Chaplin's The Circus was supplemented by a wonderful show by animal handler Doug Sloan, who demonstrated his training methods with his dog Tex and horses Diablo and Stormy. Finally, reaching an audience of both children and adults was the Festival's retrospective of "Cartoon Critters," curated by Regent University Professor Terry Lindvall. Lindvall, an ever-popular Festival speaker, was joined by archivist David Shepard and Leslie Iwerks in a discussion after Iwerks' new documentary on her grandfather, animation pioneer Ub Iwerks.


Contributors
The rise in visibility and ticket sales was due in part to the launch of a remarkable new Festival website offering, for the first time, online ticket sales. The design and maintenance of the site was provided by the Charlottesville firm Category 4 Design, joining a growing list of companies who provide pro bono services and help the Festival reach a broader audience. The Martin Agency in Richmond designed the Festival poster featuring an unforgettable polar bear. Woody Sherman of Henninger Media Services edited the stunning Festival commercial, which the Virginia Cable Television Association then distributed to cable stations throughout Virginia. These companies were joined by many other in-kind donors, including Brown Automotive Group, Under the Roof, and more.

The Film Festival's development efforts enjoyed remarkable success this year, as loyal primary and major sponsors TNT, Sprint, Bravo/IFC, and Regal Cinemas were joined by Banana Republic. Regal made a valuable gift of projection and sound equipment to fully outfit the Festival's main theater, a donation that will provide great savings in years ahead. Government contributions from the City of Charlottesville and Albemarle County were renewed, while the Virginia Film Office expanded its contributions and involvement. The VFO sponsored this year's closing night party. Its director, Rita McClenny, was instrumental in attracting Anthony Hopkins to this year's Festival, and Gayle Vail, head of the Virginia Tourism Corporation (the VFO's sponsor) traveled from Richmond to present Hopkins with the Virginia Film Award.

The most significant development of all was the emergence of a new Friends group of individual contributors. Denny King and Stan Ragle were among the Development Committee members who worked year round in preparing the group's launch at Trixie Ost's Estouteville estate in September. The outpouring of new contributors and the announcement of several upcoming Friends' premieres promise to considerably strengthen the Festival's financial condition.

Staff
This year's event was one of the smoothest ever, thanks to an extraordinary staff. Director of Operations Tori Talbot rose from student intern in 1999 and proved to be a great manager. She earned the respect of the Festival's veteran theater managers, who were collectively awed by her performance. Tori's deliberate style was well-complemented by the dynamic, thriving-in-crisis energy of Production Coordinator Amanda McRaven, who was equally invaluable. Also worthy of note this year was the dynamic duo from the Payne, Ross publicity firm, Anne Hooff and Rebecca Gibson who, along with national publicist Cara White, finally delivered a first-class press office, a long-desired goal, along with great coverage for the 2000 Film Festival. These staff members were joined by many other wonderful staff members, interns, and volunteers. They made this Festival a great experience for everyone.

 

Donors and Sponsors of the 2000 Virginia Film Festival


Primary Sponsors

Albemarle County
City of Charlottesville
Independent Film Channel
Regal Cinemas
Sprint
TNT
Virginia Film Office

Major Sponsors
Adelphia
Banana Republic
Bravo
DirecTV
Henninger Media Services

Sponsor
Virginia Foundation for the Humanities

Benefactors
Bama Rags Foundation
Bette Bonfleur
Joseph Erdman
Mark Johnson
Denny King
Ludwig Kuttner and Beatrix Ost
Anne and Kathleen Munoz
Colin and Dorothy Rolph

Patrons
Backer Foundation
Edgar Bronfman
Sandy and Julian Connolly
Buck and Dana Gatewood
Moore Gouldman III



(Patrons cont.)
Gail and David Haines
Jerome Sandy
Shannon Worrell and Bill Chapman

Donors
John and Helen Marr
Lynn and Ray Rushton

Contributors
Cary Brown and Steve Epstein
Nick Duke
Jane Ford
Peppy Linden

In-Kind Sponsors
Brown Automotive Group
Category 4 Design
Cornerstone Networks
The Martin Agency
Mudhouse
Starr Hill Music Hall
Under the Roof
Virginia Cable Television Association
WADA PAX-TV
WMRA
WVPT

UVa Co-sponsoring Departments
Art Department
Bayly Art Museum
Media Studies Program
Newcomb Hall
Robertson Media Center

 

Guests and Programs



Filmmakers

Mark Johnson
Mark Lewis
David Shepard
Abina Manning
Leslie Iwerks
Akira Mizuta Lippit
Sam Easterson
John Hancock
Richard Bott
Jim Fetterly
Carolee Schneemann
Stan Winston


(Filmmakers cont.)
Don Bernier
Kathy High
William Wegman
Dorjkhandyn Turmunkh
Kelly Greene
Tom Dey
Leah Gilliam

Actors
Rebecca Harrell
Anthony Hopkins
Dawn Hayman

Writers and Critics
Barry McEvoy
Sam Hamm
Roger Ebert

Musical Groups
The Silent Orchestra


Visiting Scholars
Terry Lindvall (Regent University)
Eric du Plessis (Radford)
Randall Stith (Virginia Tech)

Ted McKosky (Radford)
James Ruff (JMU)

Other Speakers
Judith Kahn (writer)
Peter Dans (writer)
John Casey (writer)
Alexandria Searls (Vinegar Hill Film Fest)
Fred Levy (psychotherapist)
Jenny Dennis (Library of Congress)
Larry Garretson (writer and Foolery actor)

Programs
Animal Charm
Doug Sloan: Animal Handler
Screenwriter's Panel
Animated Animals with Stan Winston


UVa Faculty


Angela Davis (Dean of Students)
Eric Lott (English)
Fred Damon (Anthropology)
Michael Smith (Government)
Henry Steven Sharp (Anthropology)
Steven Margulies (Bayly Art Museum)
Rich Collins (Urban/Environmental Studies)
Michael Quinn (Media Studies)
Michael Menaker (Biology)
Susan Fraiman (English)


(UVa Faculty cont.)
Jill Hartz (Bayly Art Museum)
Mark Edmundson (English)
Alison Booth ( English)
Johanna Drucker (Media Studies)
Jennifer Wicke (English)
LaVahn Hoh (Drama)
Grace Hale (History)
Kandioura Drame (French Lang. And Lit.)
Walter Korte (Drama and English)

 

  

Films: Features



Nosferatu/Shadow of the Vampire
The Black Stallion
The Birds
Never Cry Wolf
An Everlasting Piece
The Creature From the Black Lagoon
Harvey
The Circus
Silence of the Lambs
Titus
Princess Mononoke
American Werewolf in London
Planet of the Apes
Ratcatcher
La Belle et La Bete
A Day at the Races
The Hand Behind the Mouse:
The Ubiworks Story
A Piece of Eden



The Wolves of Kromer
Microcosmos
The Lost World
Natural History of the Chicken
Attack of the Bat Mosters
White Dog
Coincidence in Paradise
The Wild Child
Kitch's Last Meal
Cat People
Animal Attraction
State of Dogs
The Bat Whispers
Prancer
Chuck Jones: Extremes & In-Betweens
Los Olividados
Rat
Hyenas
Errol Morris' First Person

 

Films: Shorts



Anima Mundi
Cane Toads
The Hardly Boys and Reel 9
Paradise
Un Chien Andalou
Columbia river Redux
Zoo: A Melancholy Bestiary
Dia de los Muertos
The Witness
The Moschops



Lucy's Dream
The Wolf Man
Femme Fatale
Small Lies, Big Truth
A Fate Foretold
Blood of the Beasts
Electrocuting An Elephant
Unsere Afrikareise
Le Vampire
Microcultural Incidents in Ten Zoos

 

Films: Cartoons



The Last Meow
The Tender Tale of Cinderella Penguin
Pluto's Judgement Day
Show Biz Bugs
Evolutionary Fantasy
The Magic Flute



It's So Nice to Have a Wolf Around the House
Gertie the Dinosaur
Bambi Meets Godzilla
The Fly
Paradise
The Cow

 

 

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