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2000
Wrapup Report
The 13th Annual Virginia Film Festival, Animal Attractions,
was a smash hit. A total of 10,015 viewers attended
Festival programs, and ticket revenues exceeded last
year's figures by over 40%. News of this year's festival
blanketed the community and country like never before,
thanks to the wide distribution of wire stories on Anthony
Hopkins' award and enthusiastic and extensive regional
media coverage. The Festival's idiosyncratic exploration
of the theme of animals in cinema (focusing on human-animal
hybrids, with a special emphasis on "cartoon critters")
inspired many rich discussions. These prompted critic
Peter Brunette, in his Film.Com
coverage, to marvel "that the audiences for (Virginia
Film Festival) films are the most intelligent I've seen
at any festival, bar none, and the post-screening Q&A
sessions often last longer than the films they're about."
Three
Memorable Nights
The Festival was highlighted by three extraordinary
screenings at Culbreth Theatre that were among the most
memorable in Festival history. The opening night presentation
was a double feature of Nosferatu and Shadow of the
Vampire, with Silent Orchestra
performing its majestic score for Nosferatu.
Both the night's standing ovation and the acclaim registered
in audience surveys expressed great appreciation for
the revelatory effect of juxtaposing the two films and
adding a contemporary score. The following night, the
excitement at Culbreth continued with the premiere presentation
of Barry Levinson's An Everlasting Piece. Producer
Mark Johnson and screenwriter/lead actor
Barry McEvoy drew two standing ovations. McEvoy,
whose refreshing account of his good fortune in getting
the film made delighted the crowd, was taken aback by
the response and snapped a picture of the ovation as
a souvenir. Finally, Culbreth's closing night event
provided the greatest epiphany of all with a fascinating
interview between Roger Ebert
and Anthony Hopkins preceding
the screening of Titus. Hopkins, who had addressed
Drama students earlier that day in a Helms Theater dialogue
with Drama chair Bob Chapel, was inspiring and mesmerizing
as he jumped to his feet to answer audience questions
and re-enact his Hannibal Lecter and Nixon roles.
Indie Premieres
The Festival's independent film premieres at Regal and
Vinegar Hill also met with a strong response, particularly
the sell-out screenings of Mark
Lewis' The Natural History of the Chicken
and Dorjkhandyn Turmunkh's
State of Dogs. The Mongolian-born New Yorker
Turmunkh was gratified by the quality of the post-screening
discussion and by the reaction of local critics to his
work. The audience's delight with Mark Lewis' films,
both at Regal and at his special presentation of Rat
in Scottsville's Victory Hall Theater (the Festival's
first journey to this neighboring town), was reported
to have prompted him to start searching for local real
estate. Kathy High's Animal
Attraction, completed just moments before this festival
of the nearly same name began, thrilled its audience,
who were then treated to an unforgettable post-film
encounter with the film's subject, animal communicator
Dawn Hayman. John Hancock's
A Piece of Eden also drew an appreciative response
and a moving discussion with Hancock and star Rebecca
Harrell.
Alumni
Participants
The Festival was privileged again to have the
support of U.Va. alumni who return yearly and contribute
great energy and imagination to the Festival's organization.
Mark Johnson not only provided An Everlasting Piece;
he convinced Shanghai Noon director Tom
Dey to join him and deliver a memorable directing
workshop for film students. Stan
Winston returned for the second year, this time
to pass the baton as 1999 Virginia Film Award recipient
to 2000 awardee Anthony Hopkins and to participate in
two other Festival programs. Catherine Olim, the PMK
publicist who accompanied Sigourney Weaver last year,
returned again to her alma mater, this time as a new
Festival board member, with her client Anthony Hopkins.
Johnson, Olim and Winston were joined by a U.Va. alumnus
who was a first-time Festival guest, screenwriter Sam
Hamm. Hamm got enormous media coverage and everything
but the key to the city from local residents, many of
whom were either former classmates or professors who
turned out to greet him or, in one case, a grade school
teacher who actually handed him one of his third-grade
compositions.

Art
Events
One extraordinary
aspect of this year's Film Festival was its visual art
emphasis. William Wegman
not only presented his pioneering video art to a sell-out
crowd at Regal; he also remained in Charlottesville
an extra day to deliver the Gladys Blizzard Lecture
on his photography. The lecture was sponsored by the
Bayly Art Museum, which had three large Wegman photos
prominently displayed in a gallery devoted to animal
art. Also at the Bayly was a display of Carolee
Schneemann's Infinity Kisses II, Schneemann's
memorial to her late cat and artistic collaborator,
Vesper. Schneemann's memorial to her other cat, Kitch,
the dual projector performance Kitch's Last Meal,
was marked by technical and emotional difficulties;
sadly and eerily, Schneemann lost her third cat collaborator,
Treasure, in an accident the night before her arrival
in Charlottesville. Finally, artist Sam
Easterson complemented his video presentation
at Vinegar Hill with a striking installation, Animal,
Vegetable, Video: Arachnida, in the Frank Ix Building.
His installation was joined by scores of other artworks
by students and faculty in the U.Va. Art Department
and by Charlottesville artist Beatrix
Ost. The enormous exhibition at the Ix Building
was an astonishing display of talent and a sensory delight
for all who were lucky enough to witness it.
Kids'
Attractions
Another unique and much-appreciated dimension of this
year's Festival was its emphasis on children's programs.
Highlights among these included the Wild Life
program of student videos presented by Monticello High
School students, along with hands-on video demonstrations
for kids, in the Virginia Discovery Museum. The popular
screening of Chaplin's The Circus was supplemented
by a wonderful show by animal handler Doug
Sloan, who demonstrated his training methods
with his dog Tex and horses Diablo and Stormy. Finally,
reaching an audience of both children and adults was
the Festival's retrospective of "Cartoon Critters,"
curated by Regent University Professor Terry
Lindvall. Lindvall, an ever-popular Festival
speaker, was joined by archivist David
Shepard and Leslie Iwerks
in a discussion after Iwerks' new documentary on her
grandfather, animation pioneer Ub Iwerks.
Contributors
The rise in visibility and ticket sales was due in part
to the launch of a remarkable new Festival website offering,
for the first time, online ticket sales. The design
and maintenance of the site was provided by the Charlottesville
firm Category 4 Design,
joining a growing list of companies who provide pro
bono services and help the Festival reach a broader
audience. The Martin Agency
in Richmond designed the Festival poster featuring an
unforgettable polar bear. Woody Sherman of Henninger
Media Services edited the stunning Festival commercial,
which the Virginia Cable Television
Association then distributed to cable stations
throughout Virginia. These companies were joined by
many other in-kind donors, including Brown
Automotive Group, Under
the Roof, and more.
The
Film Festival's development efforts enjoyed remarkable
success this year, as loyal primary and major sponsors
TNT, Sprint,
Bravo/IFC, and Regal
Cinemas were joined by Banana
Republic. Regal made a valuable gift of projection
and sound equipment to fully outfit the Festival's main
theater, a donation that will provide great savings
in years ahead. Government contributions from the City
of Charlottesville and Albemarle
County were renewed, while the Virginia
Film Office expanded its contributions and involvement.
The VFO sponsored this year's closing night party. Its
director, Rita McClenny,
was instrumental in attracting Anthony Hopkins to this
year's Festival, and Gayle Vail,
head of the Virginia Tourism Corporation
(the VFO's sponsor) traveled from Richmond to present
Hopkins with the Virginia Film Award.
The
most significant development of all was the emergence
of a new Friends group of individual contributors. Denny
King and Stan Ragle
were among the Development Committee members who worked
year round in preparing the group's launch at Trixie
Ost's Estouteville estate in September. The outpouring
of new contributors and the announcement of several
upcoming Friends' premieres promise to considerably
strengthen the Festival's financial condition.
Staff
This year's event was one of the smoothest ever, thanks
to an extraordinary staff. Director of Operations Tori
Talbot rose from student intern in 1999 and proved
to be a great manager. She earned the respect of the
Festival's veteran theater managers, who were collectively
awed by her performance. Tori's deliberate style was
well-complemented by the dynamic, thriving-in-crisis
energy of Production Coordinator Amanda
McRaven, who was equally invaluable. Also worthy
of note this year was the dynamic duo from the Payne,
Ross publicity firm, Anne Hooff
and Rebecca Gibson who,
along with national publicist Cara
White, finally delivered a first-class press
office, a long-desired goal, along with great coverage
for the 2000 Film Festival. These staff members were
joined by many other wonderful staff members, interns,
and volunteers. They made this Festival a great experience
for everyone.

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Donors
and Sponsors of the 2000 Virginia Film Festival
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Primary Sponsors
Albemarle County
City of Charlottesville
Independent Film Channel
Regal Cinemas
Sprint
TNT
Virginia Film Office
Major
Sponsors
Adelphia
Banana Republic
Bravo
DirecTV
Henninger Media Services
Sponsor
Virginia Foundation for the Humanities
Benefactors
Bama Rags Foundation
Bette Bonfleur
Joseph Erdman
Mark Johnson
Denny King
Ludwig Kuttner and Beatrix Ost
Anne and Kathleen Munoz
Colin and Dorothy Rolph
Patrons
Backer Foundation
Edgar Bronfman
Sandy and Julian Connolly
Buck and Dana Gatewood
Moore
Gouldman III
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(Patrons cont.)
Gail and David Haines
Jerome Sandy
Shannon Worrell and Bill Chapman
Donors
John and Helen Marr
Lynn and Ray Rushton
Contributors
Cary Brown and Steve Epstein
Nick Duke
Jane Ford
Peppy Linden
In-Kind
Sponsors
Brown Automotive Group
Category 4 Design
Cornerstone Networks
The Martin Agency
Mudhouse
Starr Hill Music Hall
Under the Roof
Virginia Cable Television Association
WADA PAX-TV
WMRA
WVPT
UVa
Co-sponsoring Departments
Art Department
Bayly Art Museum
Media Studies Program
Newcomb Hall
Robertson Media Center
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Guests
and Programs
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Filmmakers
Mark Johnson
Mark Lewis
David Shepard
Abina Manning
Leslie Iwerks
Akira Mizuta Lippit
Sam Easterson
John Hancock
Richard Bott
Jim Fetterly
Carolee Schneemann
Stan Winston
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(Filmmakers cont.)
Don Bernier
Kathy High
William Wegman
Dorjkhandyn Turmunkh
Kelly Greene
Tom Dey
Leah Gilliam
Actors
Rebecca
Harrell
Anthony Hopkins
Dawn Hayman
Writers
and Critics
Barry
McEvoy
Sam Hamm
Roger Ebert
Musical
Groups
The Silent Orchestra
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Visiting
Scholars
Terry Lindvall (Regent University)
Eric du Plessis (Radford)
Randall
Stith (Virginia Tech)
Ted McKosky (Radford)
James Ruff (JMU)
Other
Speakers
Judith Kahn (writer)
Peter Dans (writer)
John Casey (writer)
Alexandria Searls (Vinegar Hill Film Fest)
Fred Levy (psychotherapist)
Jenny Dennis (Library of Congress)
Larry Garretson (writer and Foolery actor)
Programs
Animal Charm
Doug Sloan: Animal Handler
Screenwriter's Panel
Animated Animals with Stan Winston
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UVa
Faculty
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Angela Davis (Dean of Students)
Eric Lott (English)
Fred Damon (Anthropology)
Michael Smith (Government)
Henry Steven Sharp (Anthropology)
Steven Margulies (Bayly Art Museum)
Rich Collins (Urban/Environmental Studies)
Michael Quinn (Media Studies)
Michael Menaker (Biology)
Susan Fraiman (English)
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(UVa Faculty cont.)
Jill Hartz (Bayly Art Museum)
Mark Edmundson (English)
Alison Booth ( English)
Johanna Drucker (Media Studies)
Jennifer Wicke (English)
LaVahn Hoh (Drama)
Grace Hale (History)
Kandioura Drame (French Lang. And Lit.)
Walter Korte (Drama and English)
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Films:
Features
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Nosferatu/Shadow of the Vampire
The Black Stallion
The Birds
Never Cry Wolf
An Everlasting Piece
The Creature From the Black Lagoon
Harvey
The Circus
Silence of the Lambs
Titus
Princess Mononoke
American Werewolf in London
Planet of the Apes
Ratcatcher
La Belle et La Bete
A Day at the Races
The Hand Behind the Mouse:
The Ubiworks Story
A Piece of Eden
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The Wolves of Kromer
Microcosmos
The Lost World
Natural History of the Chicken
Attack of the Bat Mosters
White Dog
Coincidence in Paradise
The Wild Child
Kitch's
Last Meal
Cat People
Animal Attraction
State of Dogs
The Bat Whispers
Prancer
Chuck Jones: Extremes & In-Betweens
Los Olividados
Rat
Hyenas
Errol Morris' First Person
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Films:
Shorts
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Anima Mundi
Cane Toads
The Hardly Boys and Reel 9
Paradise
Un Chien Andalou
Columbia river Redux
Zoo: A Melancholy Bestiary
Dia de los Muertos
The Witness
The Moschops
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Lucy's Dream
The Wolf Man
Femme Fatale
Small Lies, Big Truth
A Fate Foretold
Blood of the Beasts
Electrocuting An Elephant
Unsere Afrikareise
Le Vampire
Microcultural Incidents in Ten Zoos
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Films:
Cartoons
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The Last Meow
The Tender Tale of Cinderella Penguin
Pluto's Judgement Day
Show Biz Bugs
Evolutionary Fantasy
The Magic Flute
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It's So Nice to Have a Wolf Around the House
Gertie the Dinosaur
Bambi Meets Godzilla
The Fly
Paradise
The Cow
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